...the whole configuration of human development needs to be reconceptualized. A lifetime ought not to be thought of in linear manner, an ascending upward gradient, or a kind of bell-shaped curve in which persons develop from one stage of helplessness as an infant through a lifetime to a final stage of helplessness in old age... In...God resides the ultimate coherence from whom each passion for understanding, each new insight, new stage, new vision of the universe, derives its ultimate intelligibility and toward which all such phenomena point.

I had a very clear vision, of Selina with her hair about her shoulders, a crimson hat upon her head, a velvet coat, ice-skates - I must have been remembering some picture. I imagined myself beside her, the air coming sharply into our mouths. I imagined how it would be if I took her, not to Italy, but only to Marishes, to my sister's house; if I sat with her at supper, and shared her room, and kissed her -

When power leads man toward arrogance poetry reminds him of his limitations. When power narrows the areas of man's concern poetry reminds him of the richness and diversity of his experience. When power corrupts poetry cleanses. For art establishes the basic human truths which must serve as the touchstones of our judgement. The artist. . . faithful to his personal vision of reality becomes the last champion of the individual mind and sensibility against an intrusive society and an offensive state.

Her hope was to preserve what she called The Way, to keep it alive, for that future moment when the current obsession with excess and hierarchy imploded. Wilma said many Native people believed that the earth as a living organism would just one day shrug off the human species that was destroying it—and start over. In a less cataclysmic vision, humans would realize that we are killing our home and each other, and seek out The Way. That’s why Native people were guarding it.

In the last twenty years the colleges have been emphasizing creative writing to such an extent that you almost feel that any idiot with a nickel's worth of talent can emerge from a writing class able to write a competent story. In fact, so many people can now write competent stories that the short story as a medium is in danger of dying of competence. We want competence, but competence by itself is deadly. What is needed is the vision to go with it, and you do not get this from a writing class.

Bradlee had been recruited with the idea that the New York Times need nod exercise absolute preeminence in American journalism.That vision had suffered a setback in 1971 when the Times published the Pentagon Papers. Though the Post was the second news organization to obtain a copy of the secret study of the Vietnam war, Bradlee noted that 'there was blood on every word' of the Times' initial stories. Bradlee could convey his opinions with a single disgusted glance at an indolent reporter or editor.-- Carl Bernstein, Bob Woodward

There’s another story I know. This one doesn’t have any swords or visions. This one is about a boy who found a girl during a terrible time.” “How did it turn out?” “I don’t know, but I do know the boy doesn’t regret it. Not a minute. No matter how it turns out. Because he’s been waiting for this girl from the time she was born, and if it takes another thousand years to meet her again, he’d wait again. Whatever it takes.

Thomas Builds-the-Fire closed his eyes and told this story:“I remember when I had this dream that told me to go to Spokane, to stand by the falls in the middle of the city and wait for a sign. I knew I had to go there but I didn’t have a car. Didn’t have a license. I was only thirteen. So I walked all the way, took me all day, and I finally made it to the falls. I stood there for an hour waiting. Then your dad came walking up. ‘What the hell are you doing here? He asked me. I said, ‘waiting for a vision.’ Then your father said, ‘All you’re going to get here is mugged.’ So he drove me to Denny’s, bought me dinner, and then drove me home to the reservation. For a long time I was mad because I thought my dreams had lied to me. But they didn’t. Your dad was my vision. ‘Take care of each other’ is what my dreams were saying. ‘Take care of each other.

You know the logics setup. You got a logic in your house. It looks like a vision receiver used to, only it's got keys instead of dials and you punch the keys for what you wanna get. It's hooked in to the tank, which has the Carson Circuit all fixed up with relays. Say you punch "Station SNAFU" on your logic. Relays in the tank take over an' whatever vision-program SNAFU is telecastin' comes on your logic's screen. Or you punch "Sally Hancock's Phone" an' the screen blinks an' sputters an' you're hooked up with the logic in her house an' if somebody answers you got a vision-phone connection. But besides that, if you punch for the weather forecast or who won today's race at Hialeah or who was mistress of the White House durin' Garfield's administration or what is PDQ and R sellin' for today, that comes on the screen too. The relays in the tank do it. The tank is a big buildin' full of all the facts in creation an' all the recorded telecasts that ever was made—an' it's hooked in with all the other tanks all over the country—an' everything you wanna know or see or hear, you punch for it an' you get it. Very convenient. Also it does math for you, an' keeps books, an' acts as consultin' chemist, physicist, astronomer, an' tea-leaf reader, with a "Advice to the Lovelorn" thrown in. The only thing it won't do is tell you exactly what your wife meant when she said, "Oh, you think so, do you?" in that peculiar kinda voice. Logics don't work good on women. Only on things that make sense. (1949)

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