They taught the women that the home is a shame and in doing so, they successfully decomposed nations. Instead of it being the greatest honour to build a family, it became a laughingstock. And in this becoming, they successfully deconstructed nations. They taught the men that loyalty is merely an option and in doing so, they successfully destroyed nations. Instead of it being the greatest pride to love one woman, it became a joke, a funny side comment. And in this becoming, they successfully poisoned nations. Your home is your atom, your cell, your genome. Your love is your honour, your word, your truth. You wonder why we live in deconstructed nations, you ask one another why you live on torn fibres, cracked ground, and yet you continue to listen to what they tell you. You have put shame where there should be a throne, you have placed a joke where there should be a crown. You have successfully destroyed your nations.

But it's funny how even after all these years you find yourself wondering just how well you know anyone. Hell, we've all been tight since we we're kids - been through a lot together - but we still have secrets, don't we? All of us. None of us are ever exactly, precisely what we claim to be, are we? We're one way with some people, another way with other people, maybe another way still when we're all alone. That's what it boils down to fellas. At night, when you're lying there in bed looking at the ceiling, remembering the day, thinking back through things you did and what lies ahead, when it's just you and whatever god you pray to in the dark ...that's when all the masks are peeled away and it's just you. Just you..., and whoever...or whatever you are.

Secrets. Funny how, when you're about to be given something precious, something you've wanted for a long time, you suddenly feel nervous over taking it.Everyone wants more than anything to be allowed into someone else's most secret self. Everyone wants to allow someone into their most secret self. Everyone feels so alone inside that their deepest wish is for someone to know their secret being, because then they are alone no longer. Don't we all long for this? Yet when it's offered it's frightening, because you might not live up to the desires of the one who bestows the gift. And frightening because you know that accepting such a gift means you'll want-perhaps be expected- to offer a similar gift in return. Which means giving your *self* away. And what's more frightening than that?” ― Aidan Chambers, This is All: The Pillow Book of Cordelia Kenn

Anna, you miss him.” “All the time. I still can’t believe he’s gone.” The words come out in a whoosh, tasting funny in my mouth. No matter how many times I say them, they still feel like a garbled, impossible language. My chest hurts, and I have to hold my breath to keep from inhaling a deep sob. “He was more than your best friend.” I nod absently, forgetting myself for a moment, forgetting that I’m talking to Jayne and not my journal. “I – I mean, he was like a brother to me. You know, like Frankie. Well, she’s the sister. I mean–” Jayne reaches for my hands across the table, shaking her head softly. “Sweetheart, when you say Matt’s name, you have the same look in your eyes that he’d get whenever he’d say yours.

Is it true?" he said. "They're saying all down the train that Harry Potter's in this compartment. So it's you, is it?""Yes," said Harry. He was looking at the other boys. Both of were thickset and looked like bodyguards."Oh, this is Crabbe and this is Goyle," said the pale boy carelssly, noticing where Harry was looking. "And my name's Malfoy, Draco Malfoy." Ron gave a slight cough, which might have been hiding a snigger. Draco Malfoy looked at him. "Think my name's funny, do you? No need to ask who you are. My father told me all the Weasleys have red hair, freckles, and more children than they can afford."He turned back to Harry. "You'll soon find out some wizarding families are much better than others, Potter. You don't want to go making friends with the wrong sort. I can help you there.

Does it bother you when you see Daddy kissing Josh?” he asked.Ty shook his head and made a funny face. “No, not really. I guess you really like him a lot.”“I do,” Rex agreed. “I love Josh.”“I love Josh too, and so I don’t care if you kiss him. But I thought boys only kissed girls.”Rex nodded. “Yeah, well, that’s how it is most of the time, but you know some boys kiss other boys and some girls kiss other girls.”“Well, I don’t wanna kiss no girls!” Ty said emphatically.Rex and Josh both laughed. “Maybe someday you will, though. If you do, that’s fine, and if you don’t, that’s fine too. For right now, you can just kiss Daddy.” He leaned in and kissed Ty on the forehead.

The mental pictures I have of my parents and grandparents and my childhood are beginning to break up into small fragments and get blown away from me into empty space, and the same wind is sucking me toward it ever so gently, so gently as not even to raise a hair on my head (though the truth is that there are very few of them to be raised). I'm starting to take the idea of death as the end of life somewhat harder than before. I used to wonder why people seemed to think that life is tragic or sad. Isn't it also comic and funny? And beyond all that, isn't it amazing and marvelous? Yes, but only if you have it. And I am starting not to have it. The pictures are disintegrating, as if their molecules were saying, "I've had enough," ready to go somewhere else and form a new configuration. They betray us, those molecules, we who have loved them. They treat us like dirt.

Halt eyed them balefully. They were all being so obvious about not mentioning his sudden reappearance that it was even worse than if they had commented on it...'Oh, go on!' he said. 'Somebody say something! I know what you're thinking!''It's good to see you up and about, Halt,' Selethen said gravely...Halt glared at the others and they quickly chorused their pleasure at seeing him back to his normal self. But he could see the grins they didn't quite manage to hide. He fixed a glare on Alyss.'I'm surprised at you Alyss,' he said. 'I expected no better of Will and Evanlyn, of course. Heartless beasts, the pair of them. But you! I thought you had been better trained!'...'Halt, I'm sorry! It's not funny, you're right... Shut up, Will.' This last was directed at Will as he tried, unsuccessfully, to smother a snigger.

Henry drew a shaky breath. “Do me a favor, Meg.”“Anything,” I whispered.“Don’t fall for Quinn O’Neill. If you’re going to do this thing with him…go to this dance, don’t fall for him.”“Never,” I said. “I promise.”“Because I’m all filled up on sad right now.” He sniffed again and I could tell he was more in control. “And you can’t ask me to sit by and watch you get all caught up in this guy. I can’t handle that—thinking he swept you off your feet because he bathed in body spray and dressed up.” His voice sounded rough. “I know you think I’m being funny right now, but I’m completely serious. Don’t make me watch that happen.”“You know my heart,” I said. “It’s yours.

Watching Paris is Burning, I began to think that the many yuppie-looking, straight -acting, pushy, predominantly white folks in the audience were there because the film in no way interrogates “whiteness.” These folks left the film saying it was “amazing,” “marvellous,” incredibly funny,” worthy of statements like, “Didn’t you just love it?” And no, I didn’t love it. For in many ways the film was a graphic documentary portrait of the way in which colonized black people (in this case black gay brothers, some of whom were drag queens) worship at the throne of whiteness, even when such worship demands that we live in perpetual self-hate, steal, go hungry, and even die in its pursuit. The "we" evoked here is all of us, black people/people of color, who are daily bombarded by a powerful colonizing whiteness that seduces us away from ourselves, that negates that there is beauty to be found in any form of blackness that is not imitation whiteness.