Finnik?” I say. “Maybe some pants?”
He looks down at his legs as if noticing them for the first time. Then he whips of his hospital gown, leaving him in just is underwear. “Why? Do you find this”-he strikes a ridiculously proactive pose-“distracting?”
I can’t help laughing because it’s funny, and it’s extra funny because Boggs looks so uncomfortable, and I’m happy because Finnik actually sounds like the guy I met at the Quarter Quell.
“I’m only human, Odair.” I get in before the elevator doors close. “Sorry,” I say to Boggs.
“Don’t be. I thought you… handled that well,” He says. “Better than my having to arrest him, anyway.”

Fulvia Cardew hustles over an makes a sound of frustration when she sees my clean face. “All that hard work, down the drain. I’m not blaming you, Katniss. It’s just that very few people are born with camera-ready faces. Like him.” She snags Gale, who’s in a conversation with Plutarch, and spins him towards us. “Isn’t he handsome?”
Gale does look stricking in the uniform, I guess. But the question just embarrasses us both Given our history. I’m trying to think of a witty comeback when Boggs says brusquely, “Well don’t expect us to be too impressed. We just saw Finnick Odair in his underwear.

I’m not too sure what the name of the song was that he was playing when I came in, but whatever it was, he was really stinking it up. He was putting all these dumb, show-offy ripples in the high notes, and a lot of other very tricky stuff that gives me a pain in the ass. You should’ve heard the crowd, though, when he was finished. You would’ve puked. They went mad. They were exactly the same morons that laugh like hyenas in the movies at stuff that isn’t funny. I swear to God, if I were a piano player or an actor or something and all those dopes though I was terrific, I’d hate it. I wouldn’t even want them to clap for me. People always clap for the wrong things. If I were a piano player, I’d play it in the goddam closet. Anyway, when he was finished, and everybody was clapping their heads off, old Ernie turned around on his stool and gave this very phony, humble bow. Like as if he was a helluva humble guy, besides being a terrific piano player. It was very phony—I mean him being such a big snob and all. In a funny way, though, I felt sort of sorry for him when he was finished. I don’t even think he knows any more when he’s playing right or not. It isn’t all his fault. I partly blame all those dopes that clap their heads off—they’d foul up anybody, if you gave them a chance.

… A wonderful collection of truths, and almost all are inconvenient’.‘… Something here to offend everyone’.‘… Everything from burlesque to parody, and with a sprinkling of serious commentary to confound the believers’.In the interest of balance however, here are some quotes from reviews which might have been written by others less inclined to view Heresies favorably. Again, I have undertaken this task on their behalf:“…a random assortment of schoolboy jokes. Possibly enjoyable for those who like juvenile humour – assuming they find it funny at all.”“The attempts at serious commentary are laughable, while the so-called heretical viewpoints are the unfunny fancies of a feeble mind.”“… Betrays an underlying resentment – disguised as ‘heresy’ – of those of eminence and achievement in music’s historical record.”Hmm. Can they all be right?

The fact that has got to be faced is that to abolish class-distinctions means abolishing a part of yourself. Here am I, a typical member of the middle class. It is easy for me to say that I want to get rid of class-distinctions, but nearly everything I think and do is a result of class-distinctions. All my notions — notions of good and evil, of pleasant and unpleasant, of funny and serious, of ugly and beautiful — are essentially middle-class notions; my taste in books and food and clothes, my sense of honour, my table manners, my turns of speech, my accent, even the characteristic movements of my body, are the products of a special kind of upbringing and a special niche about half-way up the social hierarchy.

If someone were to propose that the planets go around the sun because all planet matter has a kind of tendency for movement, a kind of motility, let us call it an ‘oomph,’ this theory could explain a number of other phenomena as well. So this is a good theory, is it not? No. It is nowhere near as good as the proposition that the planets move around the sun under the influence of a central force which varies exactly inversely as the square of the distance from the center. The second theory is better because it is so specific; it is so obviously unlikely to be the result of chance. It is so definite that the barest error in the movement can show that it is wrong; but the planets could wobble all over the place, and, according to the first theory, you could say, ‘Well, that is the funny behavior of the ‘oomph.

I love those dark moments in Peanuts. I love that they're in there, that Charles Schulz put the sad lonely bits of himself into the comic. I love the silliness too, the dancing Snoopy strips. The little boy Rerun drawing "basement" comics about Tarzan fighting Daffy Duck in a helicopter. Those are the bits that keep me reading. The funny parts! The fun parts. The silly bits that don't make any sense. And when I get to the sad lonely Peppermint Patty standing in a field wondering why nobody shook hands and said "good game," well, it works because that's not all she was. I try to think that way about everything. That's the kind of person I want to be.

All he wanted was a long, hot shower and a long, deep sleep. Meaning that whoever this pissed-off brunette was, whatever deal she'd arranged with his flaky mother, they could talk about it after he'd scrubbed the jungle from his skin and rinsed the shampoo from his hair. "What do you mean it belongs to you? It can't belong to you. I just rented it," said the girl aiming that pink blow-dryer right at his heart. If he wasn't so damn exhausted, he might find that funny. She was holding the thing as if it would protect her. It was a blow-dryer! He nodded at it. "What do you plan to do with that thing, honey? Style me to death?

Where have you been?" I asked weakly. A few minutes ago I would have rather died than questioned him. Let him know I care. But I'm too sick to be strong, kick ass Rayne at the moment."Vegas" he says.I raise an eyebrows. "Uh, okay. Win anything?" I can't believe he was off gambling as I lay dying. I mean, I know poker is hot and all, but couldn't he have waited a couple of days for that straight flush?"I got what I went for, if that's what you mean.""What, a lap dance?"He chuckes. "Even sick, you're still funny, Rayne.

I love you, Tess McGee. I don’t do big funny or heartfelt speeches in front of people at birthday parties, but I’m excellent in private alcoves in beer gardens.” He paused. “Okay, that sounded really bad, what I mean is …”I kissed him into silence. I pressed my forehead against his with a sigh. “I love you, too, Toby. In fact, that’s what I was going to tell you before we walked into the beer garden. Right before the really bad singing started.”Toby chuckled. He let out a sigh of relief. “Ready to reminisce?”I whispered my final word before he closed the distance.“Always.

It’s funny… when you’re young you spend your life trying to convince yourself you’re not like your parents. And then, every now and then, you’ll do something a certain way, some mannerism, or you’ll say something. When our car broke down upstate, I remember I hit the wheel and said, ‘I’m not made of money!’ And I caught myself and thought, Gee, Louie, you just sounded like Pop. When you’re young and it happens, it drives you crazy. And then you live long enough, and it makes you smile a little.” He wipes a tear from his eyelashes with the back of his hand. “That’s a nice part of life,” he says.