“It is now possible to abolish work and replace it, insofar as it serves useful purposes, with a multitude of new kinds of free activities. To abolish work requires going at it from two directions, quantitative and qualitative. On the one hand, on the quantitative side, we have to cut down massively on the amount of work being done. At present most work is useless or worse and we should simply get rid of it. On the other hand -- and I think this the crux of the matter and the revolutionary new departure -- we have to take what useful work remains and transform it into a pleasing variety of game-like and craft-like pastimes, indistinguishable from other pleasurable pastimes, except that they happen to yield useful end-products.”

“You [had] better be following the story that's happening very carefully to make sure you have a beginning, middle and an end. Time flies by very quickly and it's important to be pointing your camera in the right direction or you can miss something. Because of this, we shot around the clock and got very little sleep. We had to be up before the campers and went to sleep hours after they did in order to prepare for the next day. It can be exhausting. Besides providing a beautiful setting, the best thing about filming at a camp is that something transformational often happens when the participants arrive. They are more open and honest because they don't have outside distractions.”

Years ago, when I was working on my master's thesis, I went to New York for a semester as an exchange student. What struck me most was the sky. On that side of the world, so far away from the North Pole, the sky is flat and gray, a one-dimensional universe. Here, the sky is arched, and there's almost no pollution. In spring and fall the sky is dark blue or violet, and sunsets last for hours. The sun turns into a dim orange ball that transforms clouds into silver-rimmed red and violet towers. In winter, twenty-four hours a day, uncountable stars outline the vaulted ceiling of the great cathedral we live in. Finnish skies are the reason I believe in God.

Human beings have always been an unfinished species, a story in the middle, a succession of families, tribes, and societies in transition to new awarenesses. Although we have always prided ourselves on our willingness to adapt to all habitats, and on our skill at prospering and making ourselves comfortable wherever we are -- in a meadow, in a desert, on the tundra, or out on the ocean -- we don't just adapt to places, or modify them in order to ease our burdens. We're the only species that over and over again has deliberately transformed our surroundings in order to stretch our capacity for understanding and provoke new accomplishments. And our growing and enhanced understanding is our most valuable, and our most vulnerable, inheritance.

I look at the Augusteum,and I think that perhaps my life has not actually been so chaotic, after all. It is merely this world that is chaotic, bringing changes to us all that nobody could have anticipated. The Augusteum warns me to not to get attached to any obsolete ideas about who I am, what I represent, whom I belong to, or what function I may once have intended to serve. Yesterday I might have been a glorious monument to somebody, true enough--but tomorrow I could be a fireworks depository. Even in the Eternal City, says the silent Augusteum, one must always be prepared for riotous and endless waves of transformation.

The feminist story, she reminded me, is a counternarrative, a narrative of disobedience, a chronicle of battle, nto of surrender. Women who do not fit the mold are too often maneuvered, manipulated, and mangled into some culturally safe archetype. The makers of history transformed perpetua intoa cold, unfeeling mother - a villan of sorts. But who is to say that becoming a mother didn't also push Perpetua to become a martyr, didn't cause her to passionatley uphold her religious ideals because she wanted to offer her son the greatest gift she could - an ideal? Maybe, in the end, Perpetua's maternal instincts were precisely what gave her the strength to confront the burliest Roman gladiator and the to lie down with dignity?

Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed.Never shall I forget that smoke.Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky.Never shall I forget those flames that consumed my faith forever.Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live.Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.Never shall I forget those things, even were I condemned to live as long as God Himself.Never.

Let us being again. To take some examples: why should “literature” still designate that which already breaks away from literature—away from what has always been conceived and signified under that name—or that which, not merely escaping literature, implacably destroys it? (Posed in these terms, the question would already be caught in the assurance of a certain fore-knowledge: can “what has always been conceived and signified under that name” be considered fundamentally homogeneous, univocal, or nonconflictual?) To take other examples: what historical and strategic function should henceforth be assigned to the quotation marks, whether visible or invisible, which transform this into a “book,” or which still make the deconstruction of philosophy into a “philosophical discourse”?

Grace is more than just leniency and unconditional acceptance. Divine grace is God’s relentless and loving pursuit of His enemies, who are unthankful, unworthy, and unlovable. Grace is not just God’s ability to save sinners, but God’s stubborn delight in His enemies—yes, even the creepy ones. Grace means that despite our filth, despite the sewage running through our veins , despite our odd addiction to food, drink, sex, porn, pride, self, money, comfort, and success, God desires to transform us into real ingredients of divine happiness.Sprinkle, Preston (2014-07-01). Charis: God's Scandalous Grace for Us (p. 24). David C. Cook. Kindle Edition.

The harsh dimness that follows loss isn’t static, but charged with the energy of immanent change. Hurt, I was left with a choice: wallow and stay in the dark, or seek light and fight to reach it. These two paths emerged. I had this choice to make. Loss is the shocking catalyst of transformation. I saw that this mountain valley, haunted by senseless murders, darker, had absorbed unthinkable violence and turned it into mesmerizing light. My rape became my catalyst. Rape gave me cause to flee the muteness – forced me into making a bold and forceful change. I chose to fight to find a way to leave to seek my own strength and beauty. I was searching to find the way to make light.