Authors Public Collections Topics My Collections

Authors Matching Your Search

Related Quotes

Inviting a goblin to cross your threshold was a recipe for disaster, and certainly worse than doing the same with a vampire. With the latter all you got was a nasty bite, but the company, the extraordinarily good sex and the funny stories more than made up for it—apparently.

The parrot's so funny. He imitates me and I don't even realize he's doing it. I'm walking around the house talking to myself and whistling and the next day he's said something I've said... it's scary you know?

I have a funny mental framework when I do physics. I create an imaginary audience in my head to explain things to - it is part of the way I think. For me, teaching and explaining, even to my imaginary audience, is part of the process.

“a penny for my thoughts oh no i'll sell em for a dollar their worth so much more after im a goner and then maybe you'll hear the words ive been singing funny when your dead how people start listening”

“Turgenev was a very serious fellow but he could make me laugh because a truth first encountered can be very funny. When someone else's truth is the same as your truth, and he seems to be saying it just for you, that's great.”

I was intentionally curbing the impulse to be funny and hiding the ability. I wrote any number of very serious attempts at poems, short stories, novels - horrible. At a certain point, I recognized that it was fun to write dialogue that had a degree of lightness and humor.

It's kind of a funny way to put it, but if you want to study a dynamic economic system, what you'd like to be able to do is focus on the linkages, say, between asset markets and the macro economy without having to model everything at the same time.

I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side.

It's funny when you know you're playing two characters and you're aware of how you have to play each one into your performance of the other. You're constantly at the back of your mind thinking and it all gets a bit confusing.

When Jonathan Winters died, it was like, 'Oh, man!' I knew he was frail, but I always thought he was going to last longer. I knew him as being really funny, but at the same time, he had a dark side.