We must let God be Himself in us. This means that we must let Him be Himself in others too. We ought not to judge the style of another person’s worship.But worship that is elitist or is reduced to the level of popular entertainment, worship that is emotional or aesthetic is worship in name only. It has the external form without the reality. What we long for is living worship. But how does this come about?Our churches should not be places where the unregenerate come on Sundays because they “like the worship.” Our churches ought to be places where the unregenerate feel uncomfortable because it is the Spirit who is important and who comes first. Our controlling principle must be obedience to the Spirit—no matter where He leads us.Psalm 37:4 is true for all of us, whomever we are or whatever we want. But when we delight ourselves in the Lord, some of our desires may wither away and be replaced by new ambitions. So it will not do to envisage a definite goal concerning the form our worship must take. We must first of all be sure that we are delighting ourselves in the Lord and then see what God does.

Sorrow and profound fatigue are at the heart of Dewey's silence. It had been his ambition to learn "exactly what happened in that house that night." Twice now he'd been told, and the two versions were very much alike, the only serious discrepancy being that Hickock attributed all four deaths to Smith, while Smith contended that Hickock had killed the two women. But the confessions, though they answered questions of how and why, failed to satisfy his sense of meaningful design. The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning. Except for one thing: they had experienced prolonged terror, they had suffered. And Dewey could not forget their sufferings. Nonetheless, he found it possible to look at the man beside him without anger - with, rather, a measure of sympathy - for Perry Smith's life had been no bed of roses but pitiful, an ugly and lonely progress toward one mirage and then another. Dewey's sympathy, however, was not deep enough to accommodate either forgiveness or mercy. He hoped to see Perry and his partner hanged - hanged back to back.

Of course, if one does not fully trust the promise of God's Kingdom, he will have a hard time taking risks and making sacrifices in this life. A gospel centered around the temporal self - fleeting happiness, earthly success, vain prosperity, things such as these - is the primary ambition of the half-hearted Christian; the one who somewhat believes he is subject to an eternal death; the one who just might believe in men before God, who morbidly fears seeming less than anyone else. The man of this school feels deeply that he has but one life to live, that this must be his only chance, and therefore must have it all in his favor - from glory to comfort to riches - and have it right this instant. He is but hinting that he is overcome because he insists always that he must overcome, that his judgment comes now and by the persons around him. The point is, however, in this sense, that by grace the Christian is indeed free, but only for as long as he wants to be free - the practicality of true freedom: that of God which offers not so much freedom to be like the world as it does freedom from the pressures of having to be like the world. For Divine Law is based solely on love and freedom; whereas secular law, pressure and imitation.

If you will study the history of Christ's ministry from Baptism to Ascension, you will discover that it is mostly made up of little words, little deeds, little prayers, little sympathies, adding themselves together in unwearied succession. The Gospel is full of divine attempts to help and heal, in the body, mind and heart, individual men. The completed beauty of Christ's life is only the added beauty of little inconspicuous acts of beauty -- talking with the woman at the well; going far up into the North country to talk with the Syrophenician woman; showing the young ruler the stealthy ambition laid away in his heart, that kept him out of the kingdom of Heaven; shedding a tear at the grave of Lazarus; teaching a little knot of followers how to pray; preaching the Gospel one Sunday afternoon to two disciples going out to Emmaus; kindling a fire and broiling fish, that His disciples might have a breakfast waiting for them when they came ashore after a night of fishing, cold, tired, discouraged. All of these things, you see, let us in so easily into the real quality and tone of God's interests, so specific, so narrowed down, so enlisted in what is small, so engrossed in what is minute.

Whose destinies can be in these stars, which appear not to those who inhabit the northern regions?' said Amine, as she cast her eyes above, and watched them in their brightness; 'and what does that falling meteor portend? What causes its rapid descent from heaven?''Do you then put faith in stars, Amine?''In Araby we do; and why not? They were not spread over the sky to give light—for what then?''To beautify the world. They have their uses, too.''Then you agree with me—they have their uses, and the destinies of men are there concealed. My mother was one of those who could read them well. Alas! For me they are a sealed book.''Is it not better so, Amine?''Better!—say better to grovel on this earth with our selfish, humbled race, wandering in mystery and awe, and doubt, when we can communicate with the intelligences above! Does not the soul leap at her admission to confer with superior powers? Does not the proud heart bound at the feeling that its owner is one of those more gifted than the usual race of mortals? Is it not a noble ambition?''A dangerous one—most dangerous.''And therefore most noble. They seem as if they would speak to me; look at yon bright star—it beckons to me.

You are the promise for a more equal world. So my hope for everyone here is that after you walk across this stage, after you get your diploma, after you go out tonight and celebrate hard - you then will lean way in to your career. You will find something you love doing and you will do it with gusto. Find the right career for you and go all the way to the top.As you walk off this stage today, you start your adult life. Start out by aiming high. Try - and try hard.Like everyone here, I have great hopes for the members of this graduating class. I hope you find true meaning, contentment, and passion in your life. I hope you navigate the difficult times and come out with greater strength and resolve. I hope you find whatever balance you seek with your eyes wide open. And I hope that you - yes, you - have the ambition to lean in to your career and run the world. Because the world needs you to change it. Women all around the world are counting on you.So please ask yourself: What would I do if I weren't afraid? And then go do it.

There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.

If [Patricia Highsmith] saw an acquaintance walking down the sidewalk she would deliberately cross over so as to avoid them. When she came in contact with people, she realised she split herself into many different, false, identities, but, because she loathed lying and deceit, she chose to absent herself completely rather than go through such a charade. Highsmith interpreted this characteristic as an example of 'the eternal hypocrisy in me', rather her mental shape-shifting had its source in her quite extraordinary ability to empathise. Her imaginative capacity to subsume her own identity, while taking on the qualities of those around her - her negative capability, if you like - was so powerful that she said she often felt like her inner visions were far more real than the outside world. She aligned herself with the mad and the miserable, 'the insane man who feels himself one with all mankind, all life, because in losing his mind, he has lost his ego, his self-ness', yet realised that such a state inspired her fiction. Her ambition, she said, was to write about the underlying sickness of this 'daedal planet' and capture the essence of the human condition: eternal disappointment.

“There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.”

In addition to conformity as a way to relieve the anxiety springing from separateness, another factor of contemporary life must be considered: the role of the work routine and the pleasure routine. Man becomes a 'nine to fiver', he is part of the labour force, or the bureaucratic force of clerks and managers. He has little initiative, his tasks are prescribed by the organisation of the work; there is even little difference between those high up on the ladder and those on the bottom. They all perform tasks prescribed by the whole structure of the organisation, at a prescribed speed, and in a prescribed manner. Even the feelings are prescribed: cheerfulness, tolerance, reliability, ambition, and an ability to get along with everybody without friction. Fun is routinised in similar, although not quite as drastic ways. Books are selected by the book clubs, movies by the film and theatre owners and the advertising slogans paid for by them; the rest is also uniform: the Sunday ride in the car, the television session, the card game, the social parties. From birth to death, from Monday to Monday, from morning to evening - all activities are routinised, and prefabricated. How should a man caught up in this net of routine not forget that he is a man, a unique individual, one who is given only this one chance of living, with hopes and disappointments, with sorrow and fear, with the longing for love and the dread of the nothing and separateness?