The Romans may be known for many things, but humor isn't one of them. As usual, this interpretation relies on a prima facie reading of Jesus as a man with no political ambitions whatsoever. That is nonsense. All criminals sentenced to execution received a titulus so that everyone know the crime for which they were being punished and thus be deterred from taking part in similar activity. That the wording on Jesus's titulus was likely genuine is demonstrated by Joseph A. Fitzmeyer, who notes that "if [the titulus] were invented by Christians, they would have used Christos, for early Christians would scarcely have called their Lord 'King of the Jews'."[..] the notion that a no-name Jewish peasant would have received a personal audience with the Roman governor, Pontius Pilate, who had probably signed a dozen execution orders that day alone, is so outlandish that it cannot be taken seriously.
For Japanese people before 1868, Europeans were little more than curious beasts, strange and incomprehensible. Then, after the Meiji Restoration, everything changed. Along with European science and technology, European art flooded into Japan, all forms of it representing themselves as the universal—and most advanced—model. The same was true of novels. The Japanese, with characteristic diligence, began to read masterpieces of European literature, first in the original and then in translation. And such is the power of literature that through the act of reading, little by little the Japanese came to live the lives of Europeans as if they were their own. They began to live the ambitions of Julien Sorel, the happiness of Jane Eyre, the sufferings of young Werther, and the despair of Anna Karenina as if they were their own. They thus began living a new temporality—that which flows in the West, dictated by the Gregorian calendar, marked by major historical events in the West. And by so doing, they eventually joined what the Europeans called "humanity.
I have a vision. In this vision, I see men not being distrustful of women and I see women not being distrustful of men. I see a world wherein people don’t say, “I want to win, I want to control, I want to make him/her...” when talking about a potential lover. I see men believing in women and women believing in men, believing in each others’ dreams and ambitions. And I have another vision. In this vision, I see women looking at other women with eyes of love and men looking at other men with eyes of acceptance. In these two visions, I see all people looking at all other people and remembering that we are all children on the inside. We all don't want to be hurt, we all don’t want to be left behind and we all want to know where home is.
Government is nothing more than the combined force of society or the united power of the multitude for the peace, order, safety, good, and happiness of the people... There is no king or queen bee distinguished from all the others by size or figure or beauty and variety of colors in the human hive. No man has yet produced any revelation from heaven in his favor, any divine communication to govern his fellow men. Nature throws us all into the world equal and alike... The preservation of liberty depends upon the intellectual and moral character of the people. As long as knowledge and virtue are diffused generally among the body of a nation it is impossible they should be enslaved. Ambition is one of the more ungovernable passions of the human heart. The love of power is insatiable and uncontrollable... There is a danger from all men. The only maxim of a free government ought to be to trust no man living wth power to endanger public liberty.
“My name is Ferrum. I was the first, born of the forges, when mankind first began to experiment with iron. I rose from their imagination, from their ambition to conquer the world with a metal that could slice through bronze like paper. I was there when the world started to shift, when humans took their first steps out of the Dark Ages into civilization. For many years, I thought I was alone. But mankind is never satisfied. Others came, risen from these dreams of a new world... Then, with the invention of computers, the gremlins came, and the bugs. Given life by the fear of monsters lurking in machines, these were more chaotic than the other fey, violent and destructive. They spread to every part of the world. As technology became a driving force in every country, powerful new fey rose into existence. Virus. Glitch. And Machina, the most powerful of all.”
Amory, sorry for them, was still not sorry for himself - art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria - he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights...There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth - yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams...And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed...He stretched out his arms to the crystalline, radiant sky."I know myself," he cried, "but that is all.
He asked me, "what were the usual causes or motives that made one country go to war with another?" I answered "they were innumerable; but I should only mention a few of the chief. Sometimes the ambition of princes, who never think they have land or people enough to govern; sometimes the corruption of ministers, who engage their master in a war, in order to stifle or divert the clamour of the subjects against their evil administration. Difference in opinions has cost many millions of lives: for instance, whether flesh be bread, or bread be flesh; whether the juice of a certain berry be blood or wine; whether whistling be a vice or a virtue; whether it be better to kiss a post, or throw it into the fire: what is the best colour for a coat, whether black, white, red, or gray: and whether it should be long or short, narrow or wide, dirty or clean; with many more. Neither are any wars so furious and bloody, or of so long a continuance, especially if it be in things indifferent.
Here the earth, as if to prove its immensity, empties itself. Gertrude Stein said: 'In the United States there is more space where nobody is than where anybody is. That is what makes America what it is.' The uncluttered stretches of the American West and the deserted miles of roads force a lone traveler to pay attention to them by leaving him isolated in them. This squander of land substitutes a sense of self with a sense of place by giving him days of himself until, tiring of his own small compass, he looks for relief to the bigness outside -- a grandness that demands attention not just for its scope, but for its age, its diversity, its continual change. The isolating immensity reveals what lies covered in places noisier, busier, more filled up. For me, what I saw revealed was this (only this): a man nearly desperate because his significance had come to lie within his own narrow ambit.
I had begun to see a new map of the world, one that was frightening in its simplicity, suffocating in its implications. We were always playing on the white man's court, Ray had told me, by the white man's rules. If the principal, or the coach, or a teacher, or Kurt, wanted to spit in your face, he could, because he had power and you didn't. If he decided not to, if he treated you like a man or came to your defense, it was because he knew that the words you spoke, the clothes you wore, the books you read, your ambitions and desires, were already his. Whatever he decided to do, it was his decision to make, not yours, and because of that fundamental power he held over you, because it preceded and would outlast his individual motives and inclinations, any distinction between good and bad whites held negligible meaning.
For Elena Text fans, here is the the first paragraph of the press release which will be hitting the world's media in the days before the book launch on January 26, 017.The Elena Text: Explosive New Thriller, Hailed “Upmarket Dan Brown”, Excavates Delphi’s Most Secretive TreasureMeticulously researched and masterfully crafted by award-winning filmmaker, Martin Weitz, ‘The Elena Text: Ambition, Desire & Betrayal’ makes fact and fiction indistinguishable as it fuses a provocative, blistering thriller with the untold story of a closely-guarded secret unearthed at Delphi, Greece in the 1930s. But this isn’t just a story that exposes and unravels one of history’s most elusive and prized antiquities; it’s also an unorthodox journey into research on sexual orgasm and ecstasy, and its shocking links to prophetic teachings by the Greeks over three millennia ago. Intricate, intelligent and a new paradigm of historical fiction, it’s no wonder critics are hailing the volume as something even Dan Brown could never have conceived.